I can’t pretend I get excited about every new release. Working until 3am most nights means I catch things on my phone between shifts or on the couch with a cigarette before my roommate tells me to crack a window. But this year’s lineup is actually doing something. Here are the five releases I’m keeping an eye on, and you should too.
Blade Runner licence is coming back but this time as a TV serie. The show is set 50 years after Blade Runner 2049 and will keep digging into identity and what it means to be engineered to live and die on someone else’s schedule. Michelle Yeoh leads as Olwen, a Replicant running out of time, with Hunter Schafer as Cora. Ridley Scott is back as exec producer, which either reassures you or doesn’t, depending on your relationship with the last decade of his output.
Production wrapped at the end of December 2024, which means it could land fairly early in 2026. No hard date yet, but it’s coming.
Apple greenlit this adaptation of William Gibson’s 1984 novel as a TV serie back in February 2024. It was created by Graham Roland and J.D. Dillard, with Roland as showrunner and Dillard directing the pilot. Callum Turner plays Case, a damaged hacker thrust into digital espionage and high-stakes crime alongside Molly, played by Briana Middleton. Mark Strong and Peter Sarsgaard are also in there.
This is the book that basically invented the vocabulary everyone’s been borrowing ever since : cyberspace, ICE, the whole thing… Filming is underway in Tokyo, Los Angeles, Istanbul, Canada, and London. The locations alone tell you they’re swinging big.

This one’s a new anime series by Science SARU, with music direction from Taisei Iwasaki and a July 2026 premiere confirmed. It’s directed by Mokochan with series composition by EnJoe Toh, and it’s the first Ghost in the Shell adaptation to deliberately adopt the style of Shirow Masamune’s original manga.
The franchise has been running since the 1989 manga, and it hasn’t gotten a new series since Netflix’s SAC_2045 wrapped in 2022, which, to put it diplomatically, wasn’t anyone’s favorite entry. Science SARU has a good track record however.
Kusanagi asking what it means to be human inside a body that isn’t hers, that question doesn’t get old… somehow it keeps getting more relevant.
A trailer is available on Vimeo (for those who have an account) or, more simply, on the studio’s website.
CD Projekt Red announced this at Anime Expo 2025. It’s a standalone 10 episodes story set in Night City, made again with Studio TRIGGER, with Kai Ikarashi directing. The logline: a raw chronicle of redemption and revenge, asking what extremes you have to go to just to make your story matter.
There’s no confirmed release date. CDPR’s co-CEO said “in due time” which would be “this year”, GamesRadar estimates 2027, given the production timeline.
Want a first look? Watch the official teaser released by Netflix.

Taika Waititi directed this adaptation of Kazuo Ishiguro’s novel, with a cast including Jenna Ortega, Amy Adams, Natasha Lyonne, and Steve Buscemi. Klara is an Artificial Friend designed to prevent loneliness, purchased by a mother and her teenage daughter, Josie, who suffers from a mysterious illness.
This is the quieter entry on the list. No chrome, no neon, no corpo shootouts. It’s about an AI that loves someone. A summer 2026 release is what industry sources are pointing at.
Ishiguro already did the slow-burn dystopia thing with Never Let Me Go and it wrecked people for weeks. This one’s operating in the same register, grief and AI and what we owe to things that feel. Given where the conversation around artificial intelligence is right now, the timing is either perfect or almost too on the nose. Probably both.